Most of my major participation in MoPrint is now complete, and all of the events went pretty well.
Last weekend was the latest, Print Jam at the Denver Art Museum, produced by Month of Printmaking and featuring 14 artists giving demonstrations and drop in workshops, including me. The crowd was very steady all day (11-4), and the organizer, Emily Moyer did a great job.
I helped with the Monotype table featuring 3 artists, 2 of whom had taken their first monotype classes with me. That’s always a source of pride. I fancied that we had some of the largest gatherings at our station, but that may just be team spirit on my part.
There are still openings and ongoing shows featuring my work, as well as many many others, but the events that required planning and organization on my part are now finished, which means I’m now essentially a tourist. What a relief!
The party began early for me Saturday, as I was one of the first artists to complete my demo, and spent the day relaxing and enjoying the other artist demos as well as assisting my own team at the monotype station. I took a ton of photos and some video that I hope to turn into a MoPrint promo that I will donate to MoPrint.org, should they want it. With that project, I hope to again jumpstart production of my own videos for this site, and for my YouTube channel.
But the pace of that will be much more relaxed and leave time to produce some larger monotypes for a new show, whenever that may happen. My class schedule will also be somewhat reduced as I recharge my batteries. I’ll update soon, but the next post here will undoubtedly be about reading projects. Other than that, I’ll see you next weekend on the #studiotour and at #steamrollerprinting in April.
Despite the on again, off again winter weather, MoPrint is off to a great start, and people seem to be eager to see it after 2020 was cancelled, mostly, by the pandemic. I’ve seen several shows already, which is more shows than I probably saw all 2021.
ARThropod, Artists on Santa Fe: Carol Till and Jeff Russel take differing approaches to the subject matter, insects ( arthropods also include lobsters and crayfish, etc, I believe, but I saw mostly insects in the exhibit). Carol is a botanical illustrator by trade, who has migrated to printmaking. So hers are naturalistic, though abstract elements such as chine colle and hand colorings have been added. Jeff is more known for patterning and collage, and his prints follow that approach, projecting a more decorative designerly style.
Black Ink, TRVE Brewing: A MoPrint fundraiser, and a crowded one, with lines out the door. That’s what selling editions of linocuts donated by 60 artists for $10 will get you- a madhouse. It’s rare and gratifying to see people line up to buy art, of course, but I didn’t stick around too long as I’m not totally ready for crowds yet, and I had other commitments. I’ve posted a quick snap of the craziness, and I got my share of affordable art, of course. A lot of money was raised to keep #Moprint going. No word on how my own effort sold, but whatever prints are leftover can be bought at the Open Portfolio event at the Botanic Gardens, this Saturday from 1-4 PM.
ASLD Print Fair Exhibition: I’m in this show, but will nonetheless extoll its overall strength. ASLD artist such as Kathie Lucas, Mami Yamamoto, Taiko Chandler and Michael Keyes contributed noticeably strong work, among many others. The opening was also crowded and many works have already sold. It’s up through March 27.
I also saw monotypes, ink transfer prints and some very interesting oil resist prints/drawings at Edge, and a great ceramics installation at Pirate. I tried to see the Women in Printmaking show at 40 West, but it was unexpectedly closed, so I’ll try again. I’ll be out there this Friday night for the opening of SurfaceIn/sight, a national printmaking show I juried, and that I’m excited about.
I will also be at the Botanic Gardens Open Portfolio show this Saturday with a portfolio of many (mostly smaller) prints culled from the flat files and past shows. Other upcoming events are described more fully, here.
It’s been a busy, snowy run-up to #moprint2022. But the pandemic seems to be easing, at least in the vaccinated parts of the state, so we can keep our fingers crossed that this one will go off as planned, unlike 2020.
I committed to a lot of events, which has kept me running, but it’ll be fun if it all comes off. Note: I do not anticipate doing the Summer Art Market this year, to give myself a break, and to re-fill my inventory. So MoPrint may be the best opportunity to see work by me this year. Of course, you can always contact me (above) for a private showing. Here’s as complete a list as I can give right now:
February 26, 4 PM: Opening for Print Educators of Colorado show at Lincoln Center, Ft. Collins. I have 2 pieces in the show and anticipate being there for the opening. The show runs through April 9.
March 4, 5:30-8:30 PM: Opening for ASLD Print Fair Exhibition, Art Students League of Denver, 200 Grant St. I’ll have 1-2 pieces in the show. There are free demos by ASLD faculty and artists upstairs. I will be here most of the night.
March 4, 5-10 PM, Trve Brewing, Broadway and 2nd, Black Ink fundraiser for MoPrint. I will have an edition of 20 lino cuts available at a ridiculously low price of $10 apiece, along with 60 other artists. It all benefits Month of Printmaking. I will be here for part of the night.
March 5, 10-4 PM: ASLD Print Fair Pop Up Portfolio show and free artists demos at ASLD 200 Grant. I will have a portfolio of selected prints available for sale, and I’ll be here all day. Prints are an affordable way to start a collection!
March 11, 5-10 PM, Core New Art Space. A show of many techniques in printmaking, that I juried from a national call for entries. Show runs through March 27. I will be at the opening, at least for the later hours.
March 12, 1-4 PM, MoPrint Open Portfolio, Denver Botanic Gardens, Mitchell Hall. This is also a portfolio show, so no framed work, and mostly small pieces that I can display on a table. I predict prices will be very affordable.
March 19, 11-4 PM. I will be doing a demo this year at the MoPrint Print Jam at the Denver Art Museum, Martin Building Creative Hub. There will be 14 separate demos ( by various artists, in various techniques), and 3 workshops you can participate in. My demo will be at 11 AM.
March 24, 5-8 PM, imPressed, opening for juried sprint show, Art Gym. I will have one medium sized piece in the show, and I plan to attend the opening. Show runs through April 17.
All info is on the MoPrint.org website, along with all of the other Moprint-associated events. I will be seeing as many as I can; hope to see you there!
It was a busy holiday season because of medical appointments. Most were catch up on things deferred during lockdown, or even earlier. I’m hoping it will pay off this year with a more active lifestyle, including travel.
2022 won’t wait however. Here are some things I have planned for this year:
MoPrint 2022! It was cancelled in ’20 as COVID came roaring in. We’re hoping this one will have better luck.
MoPrint events I’m helping organize: Art Students League Print Fair, March 4-5, Demos, portfolio show and month-long exhibit. ASLD.org
MoPrint shows I will be exhibiting in: Art Students League Members Exhibit, March 4-28; Print Educators of Colorado, 2022, Lincoln Center, Ft. Collins
MoPrint Shows I will be jurying: Core Gallery Details TBA- I will post these
MoPrint fundraiser where my work will be offered:
Other shows my work will be offered: ArtMA childhood cancer benefit gala at the Denver Design Center, February 12
Classes offered: A full complement, from sampler, to beginners, to experienced, about one per month, beginning with an online class on ‘Monotypes At Home’ which is registering now and begins next week.
Kids Class offered: My ‘Mad Science Monotypes’ art camp returns July 5-8 for 14-17 yo
I’m still monitoring print studio sessions at the League many Sundays and Fridays. $15 a session, a screaming deal. Register online
Most of these take place January-March, making for a frantic start to the year, which is always true during MoPrint years. After that will be much more relaxed as I am not planning to do the Summer Art Market this year. Yes, this will be the first one I’ve missed in over 20 years, although I won’t really be missing it as I’m planning to volunteer.
I felt like a break would be good for recharging my batteries and refilling my portfolio. I also intend to explore other options such as online sales, videos and even ebooks. These are things I’ve dabbled in, but never had time to pursue properly.
While this blog was less than regular this crazy Fall. I will try to update regularly, so check back. I haven’t updated my ‘Workshops’ page yet with a full ’22 schedule, but will try to do that next week. I have many book blurbs from all my holiday reading while isolating and convalescing, too.
I wish everyone a happy, prosperous, safe New Year. Fingers crossed, we’ll begin to emerge from several very dark years and there will be opportunities for all to pursue fulfilling lives.
What is the end game in the studio? Sometimes a deadline will bring focus, leading to a well resolved work, sometimes it inhibits experimentation, bringing repetitive ideas. I guess both- experimentation and production, are important.
At this time, I’m trying to produce new work for the upcoming MoPrint ’22, which will bring show opportunities, if COVID doesn’t cancel it again. But I’ve also had more time to work, read and think, which has brought a lot of experimentation.
Most of these experiments haven’t turned into finished, showable work yet. Here’s one that seems acceptable. Not quite sure where the idea of a trestle came from, but from a creative stand point, it seems to allude to being carried from somewhere to somewhere else. The journey is not resolved, but a tenuous structure appears to offer support and transit over the chasm.
That’s my story, and I’m sticking with it. I’m reading a lot of Gary Panter ( Jimbo in Paradise, DalTokyo, Cola Madnes ) He tends to really push an idea graphically, while still trying to at least allude to basic narrative. His characters invest a lot of energy and desire into quests, though what is quested (cheeseburgers, vintage muscle cars) sometimes seems quotidian or even preterite. This seems like a good model for what my studio work is trying to accomplish.
The holiday break was brief, as #MoPrint2020is upon us and I’m up to my neck in the sort of events that that 3-month fiesta of the pressure arts brings us. Call it over commitment, call it opportunism, call it giving in to ‘pressure’. I’m calling it a great source of material for a blog that is supposed to be about my so-called printmaking career.
The official Month of Printmaking 2020 will be, as always, March of this even-numbered, biennial year. But MoPrint has always had a way of spreading through the first four months, and the first shows kick off this month, with a juried show at D’art last week and the two signature shows at Arvada Center beginning this Thursday, January 16, 6-9 PM.
I’m in the Arvada Center’s “Imprint: Print Educators” invitational show which is concurrent with the “528.0” juried show. IFine art prints are becoming more popular as affordable collection starters. If that interests you, it’d be hard to top this night as a place to jump in.
You can pick up a schedule-flyer for all MoPrint events there, or any of the events I’m about to list. If you make it to every #MoPrint2020 event, I’m thinking there ought to be some sort of cultural “Ironman” medal waiting for you. I’m exhausted just thinking about only the events I’m involved with.
“Rhythm in Balance: Five Contemporary Printmakers” is a show assembled by Patricia Branstead a fellow Art Students League instructor. I’m in it with Judith Bennett, Austin Buckingham, and Charles Woolridge. It’s at Niza Knoll gallery on Santa Fe. Opening night is February 21, and there will be a First Friday event as well.
That same night there will also be work of mine, along with student work at the nearby Very Special Arts Colorado’s Access Gallery. This is a celebration of a class I co-taught with Javier Flores from VSA with special needs young adults. Two shows in one place! They are also planning a First Friday event.
I’ll again be a part of the Artma Benefit Auction for Childhood Cancer, February 8. They do put on a good party, and they treat donating artists well , something I emphasize is an important consideration when I’m donating. My piece has sold each time, so get there early.
Teen Mad Science Monoprint workshop, March 14. The idea is to offer MoPrint2020 events for kids, too.Go to ASLD.org to register online. If this doesn’t fill, you’ll see me at:
The Open Potrfolio event at Redline March 14 is a very casual affair with artists simply showing prints on a table. I generally show things that are too old for my other shows, which means I can offer some bargain prices. If I can’t do this ( because of teen class, above) you can still see my bargain portfolio at:
Pop-up Print Sale and Show at ASLD March 28. Yes, same thing as the Redline event, but with Art Students League printmakers. There will also be framed work for sale, and the Monotype-A-Thon will be going on during the same time. A can’t -miss event.
That’s it so far, I suppose there may be more, and I’ll be posting about my DPL workshops soon, which are always open to the curious public. I’ll post my regular Adult classes at ASLD, also. Stay warm and hope to see you at one of these events.
My Mad Science Monoprint workshop is this close to filling up. It’s my last publicly available class this year and runs for five Monday evenings, ending in time for Holidays.
I’m also co-teaching a class in large monoprints for Very Special Arts Colorado students with Javier Flores, of VSA and Metro State. It’s been fun, with the side benefit that I am working on a Lino cut for the first time in decades.
I’ll have two pieces in the Arvada Center’s January show Print Educators. It will be one of the signature shows for #Moprint2020. The opening is January 16.
The winter-spring catalog is now open for registration online at Art Students League of Denver. My first workshop availability in 2020 will be Jan 7. That will be my Monotype Starter beginner’s class, which prepares you for my other classes, and also certifies you to use our big airy print room independently ( for a reasonable fee per month). I don’t know whether it will fill up, but it can’t hurt to register now.
My last library workshop of the season, at Green Valley Ranch branch, has once again been re-scheduled for November 20 at 5:30-7 PM.
I’m going to do my Besties top ten book list for comics and graphic novels again this year. I can’t say I’ve kept up on this year’s releases that well- mostly because of still catching up on last year’s releases, but I realized that this is a decade-turning year and I have lots of opinions on this decade’s batch of comics, some of which will be noted for a long time. So I’ll have plenty of candidates. I’m adding a link to last year’s version, my first attempt at this holiday staple.
My webstore is again making progress after upgrading my website programming and security to hopefully accommodate the finicky Woo Commerce plug-in. I’m taking a few days’ break after a busy fall, but will return to it within days. Still hoping for a Thanksgiving launch.
My interview with Westword’s Susan Froydis up on the site today. It’s in association with Month of Printmaking Colorado, along with several other printmakers: Jennifer Ghormley, Taiko Chandler, Sue Oehme. It’s a privilege to be included in this series, and it’s a joy to be involved in the burgeoning Denver printmaking community, which for reasons mentioned below, is very supportive and friendly. This includes Westword itself, really. Mo’Print has an all volunteer organizing committee; we try hard to market and publicize professionally, but over the last five years, Susan Froyd, Michael Paglia, and Patty Calhoun have never failed to give it the attention I feel it deserves. This has really helped prevent it from slipping through the cracks during its early stages. I try to return the favor to the community in the interview, and in other ways, as printmaking really enriches my life.
It’s been a busy month owing to #MoPrint2018, and I’m pretty happy with most of the shows and events I’ve been involved with. I had a blast Saturday at the Open Portfolio event at Redline, selling and trading prints in a relaxed setting.
I have two more events upcoming, one of which is the Studio + Print Tour, which I’ll do at the Art Students League Print Room from 10-4 with two or three other artists from the League. Mami Yamamoto and Taiko Chandler will be there too. We’ll probably have snacks and prints there, but later that evening, there will be the Ink Mixer at Ink Lounge, where you can get beer and snacks and see their silk screen set-up and mix with artists and printmakers.
The diversity is incredible. When I joined the 12-15 member Month of Printmaking Colorado organizing committee in early 2013, I think we felt that we knew, or knew of- all the major players in Colorado printmaking. Wrong. Silkscreeners, lithography artists, bookmakers, letterpress artists and more came out of the wood work. Not students or dabblers, mind, though there are plenty of those as well, but career printmakers, small business people, educators. Accomplished creatives, in other words.
One of the few perks of being an artist is the ability to trade for an art collection. For me, lately that has meant prints. Here’s a photo of my haul from Saturday. It’s worth noting that several of these are from artists I had just met that day. I think because printmaking is regarded traditionally as a fairly humble corner of the art market, and because we often need to congregate in groups to utilize public presses, that printmaking has a social component that some media don’t have. One of these community presses, Mark Lunning’s Open Press is moving out of town owing to the real estate inflation. I’ll miss Mark and Open Press, and I’ll write a post about them soon.
I’m Preparing art for a number of different shows and events this Spring. Most are related to the MoPrint (Month of Printmaking) festival of events and I’m organizing one event myself. It makes for a busy schedule.
“Master Printer and Print Educators of Colorado”, McNichols Building 3rd Floor, January 13-April 8 : This one has already opened, though viewing hours are limited, and the venue is often closed for private parties. The best way to see it may be the MoPrint Kick Off event on February 23 at 6-9 PM. I will be there. I have 3 pieces in the show ( I fall into the second category in the title), but I did not have any large work ready for the show.
“Hand Pulled: Mark Lunning’s Open Press”, PACE Center, Parker, Co, March 2-April 30: This is a show honoring the Open Press artists. The printmaking facility on Bayaud Ave run by Master Printer Mark Lunning is soon to close and move to Sterling, Colorado owing to the rapidly dwindling affordable space for arts orgs during the recent development boom. I haven’t worked there in a couple of years, since I now do most of my work at the Arts Students League, so this show will feature 3-5 large pieces from my past work there. It will be a mini retrospective of sorts. Opens March 2, 5:30-8 PM
Open Portfolio, Redline Gallery, March 17, 2-5 PM: This will probably be the most affordable show I’ve done in a long time. It was a fun show during the last MoPrint (2016) so I’ve decided to join it this year. Every artist has more art than they can sell, and this will be for printmakers, a chance to clean out the flat files at bargain prices, and that’s just what I’m doing. You’ll also see a lot of young artists trying to launch a name for themselves, I’m sure. Starting a print collection, and on a budget?
Art and Soul, Art Students League, February 10: This is the major fundraiser for the League, a big party with food and art auctions to benefit the school, and I always donate a piece. Tickets here.
artma, February 8: A fairly glitzy event that benefits The Morgan Adams Foundation.org. This year it will be in the Evans School at 11th and Acoma, an opportunity in itself to see this historic building.
I’ll mention here that many of us artists are approached by charity auctions on a regular basis. Any auction is risky to begin with, as it can be damaging to your ‘market value’, especially if poorly organized and callous about their donating artists’ career needs, as many appallingly are.
This is not one of those, however. artma is the creme de la creme of charity auctions, with artists on the board of the event, professional treatment for donating artists, and an overall spirit of gratitude for artists’ generosity. I’ve been donating for several years because of this.
Meininger Art Supply, Broadway, March 3, 11-1 PM: I’ll be doing a monotype demo here. It’s a fun place to do one, and well equipped for the large groups they usually get. It’s about an hour, but you get a coupon at the end. Come early for a good seat, though they have mirrors and PA, so it works in the cheap seats, too.
Monotype-aThon, Art Students League, March 3, 9-5 PM: Same day! I’ll rush over there to join eight other artists doing 2-3 hour shifts, with the public invited to watch and kibbitz. There will be prints donated for sale to benefit the League and MoPrint, light snacks and lots of different approaches to monotype making.