I have the luxury of time lately, which is very good for art. A regular studio routine is great for following up on ideas, and midweek days to work on framing, etc, without feeling rushed or stressed by deadlines, makes one feel more professional.
The weather has been vivid. I’m taking more walks, looking at birds, watching the clouds roll in. Of course, I’ve always believed that an appreciation of ‘now’, a certain presence in the moment, is valuable in the studio. It’s wonderful in daily life as well.
Nights have been mostly about reading, and I’ve chided myself for ‘wasting’ my streaming subscriptions by not flipping on the TV and catching up on my odd series, such as Dickinson ( a Hip-Hop-infused mash up of Puritan retro futurist takes on the poet’s life ), and Upstart Crow ( Shakespeare gets the Black Adder treatment). You can see the problem here- my favorite TV shows only remind me of how much there is to read!
I’ve been organizing my studio/workroom to make a more pleasant place to frame art and work on the computer. It’s less like a storage/ creative dumping ground, and there’s more room to work on projects, which can then remain out until the next time I’m ready to work on them. I wound up with a better set up for quick photos, too:
#MoPrint24 is bubbling into existence as we speak. The main organizers are working on not just next year’s event, which looks better than ever, but serious organizational issues that will strengthen it for years to come. I’m not as involved in that as I used to be.
I am trying to contribute, in my own way, by helping to organize the ASLD Print Fair event at the school. That is also in process already, and will accelerate in Fall, after the 800-pound gorilla that is SAM is fed.
I have several classes going on, mostly for kids. My next adult class starts July 11, and is registering now. It’s called Monotype Portfolio, for people with a bit of printmaking experience and is registering now. Here’s the link: https://reg135.imperisoft.com/asld/ProgramDetail/3239303238/Registration.aspx
The demos often reflect what I’m currently working on myself, which is certainly valuable dialog for me, and I hope others craving those kinds of conversation- hard to find- will feel free to join us. If you are curious about MoPrint, or just want to talk about books, there’s plenty of time for that as well.
What I’ve been reading is a wider range of fiction, non-fiction, as always, modern and older comics. I’m thinking of starting a separate, pop culture-oriented blog for my reading and bookstore adventures, and converting this one to all art. I perceive this as more professional, although posting regularly is always a challenge. Also, diverse readings certainly inform my creative explorations, and would certainly continue to pop up here.
Examples of things I’m reading lately: The Sot-Weed Factor, by John Barth, a hilarious picaresque that skewers the essential venality at the heart of Puritan America, and led directly to one of my all time favorite novels, Mason & Dixon, by Pynchon. Jews In American Comics, which explores the ethnic, European roots of this historically repressed medium, which naturally goes a long way toward explaining why the repression. I also finally located an affordable copy of the seminal Kramers Ergot #4, a landmark publication for the Fort Thunder group, as well as other avant grade cartoonists. Until Fall, after the Summer Art Market, I won’t really have time to launch a new blog, so I may go into a bit more depth about these books here later.
On a related note, my dictum that ‘a good walk ends in a used bookstore‘ ( it used to be ‘bar’, of course, and there was a “Bookbar” in my neighborhood, a great idea which failed of incompetent management ), has become a mantra. In that vein, I’m inserting a mini-review here of the recently relocated Fahrenheit’s Books.
The new one, several blocks farther down South Broadway, on Antique Row, is larger and less dingy. It’s still cluttered, which some people like, and why not? -it allows them to display more books, and the selection was superior even before. As an example, I quickly found Jews In American Comics and a William Gaddis novel, A Frolic of His Own, in clean copies for great prices. It goes along with my obsession with obscure comics criticism, and Post Modern Brick fiction ( see: Barth and Pynchon, above ). You can’t find these in most bookstores.
There is a sort of simpatico curatorial consciousness to stores like this, and Kilgore, On 13th. There, I found But Is It Art?, a book I’ve been wanting to read. I don’t read as many art books as I used to, partly because I can find plenty of germane concepts in PMBs, where I don’t feel as derivative. Sot-Weed is one of the early PMBs, and Gaddis also was a pioneer, though Frolic comes much later. A store across the street form Fahrenheit’s specializes in nice clean, collectible copies of mysteries and histories, etc. It’s less about the reading, although, I like clean copies, and I collect some of them. There’s such a thing as not enough clutter!
By comparison, another cluttered store, Westside Books, caps off a lot of walks, as it’s near me, and I like to support neighborhood business. But it’s dusty, poorly laid out, and choked with outdated redundancies, which make browsing a chore. Fahrenheit’s is much more mindful in their selection, and user friendly.
I can’t go there every week, as I would just buy 2 or three books every time. But here’s a shout out to a wonderful place to finish a bus ride/walk.
#Artclasses #Bookstores #ASLDprintmakers