Workshops for Summer
Some restrictions are starting to be lifted. The school was able to host a number of live classes since last Fall, and many more online, without incident or quarantine. It’s a tribute to the wonderful staff, and the teamwork of all the artists in the community. My offerings remain limited this summer, mostly because most classes don’t fill, and get cancelled
To review, several Print Room instructors, including me, were asked to review our procedures and studio design to create social distancing in the print studio, and the school reopened for live classes in September. One plus- the online classes featured people from as far away as Santa Fe.
The Art Students League of Denver web site is open now for registration The details and links for every class I’m offering this Summer are below. There will be a limit of 6 per class, with defined single occupancy work areas, fewer common tools, and more time reserved for our cleaning protocols, which were strict before, and will now be crucial. Class times will be staggered to reduce crowding in the halls. There are other classes I’ve offered, but they’re on hiatus for now. The general descriptions are below. There are descriptions for other classes I will be offering in the future and links to videos I’ve made about monotypes, as well.
Monotype Starter: Intended as a step-by-step tutorial on the basics of printing and print room protocol. This is a live, in-studio class. You will be certified to use the room independently upon completion. Starts July 26 and runs for 4 weeks. Register, beginning June 8, here.
Kids Camp Workshops For Summer: These are for kids aged 14-17 years old.
Mad Science Monotypes: In-studio class for teens, space limited for social distancing, and now, full. There may be a waiting list.
Mad Science Monotypes (Online): There is a lot of printmaking fun that can be done at home, with hand-rolling and up-cycled materials. Fast-paced class introduces print concepts, and easy clean-up. Registering now, here.
Not Offered This Summer, But Coming In The Future
Monotype Portfolio: is for people who’ve had printmaking experience ( such as Monotype Starter, above) and who want to continue their explorations. We do a refresher in color, then march bravely forward into Chine Colle, and other more advanced techniques. Advice is available for framing and entering work into shows, too. Your second career awaits! I will probably offer this again in the Fall.
Again, it’s a pared down schedule, with many class rooms closed ( to store all the equipment from the now distanced open class rooms) and with fewer places for artists, so my advice is to register early if you are hankering to return to the live studio classes.
Some of you are not ready for in-person yet. I get that, so my online class, featuring the non-toxic and non-odorous Akua water soluble inks will debut in March. Online classes are NOT as limited for size, so it might be something to consider if you decide that live classes are not something you are ready for. Another bonus: if you live out of town and have been wanting to learn about my techniques, welcome!
Monotypes At Home: features hand rolling techniques for home printmaking and is offered as an online course. I will be offering this again in the future, stay tuned.
Monoprint Mad Science: Not being offered this term. It is a companion to Monotype Portfolio, intended for those who’ve had Monotype Starter or a previous printmaking class, or perhaps some art school experience, and explores quick and fanciful techniques to incorporate relief, dry point, collograph and other repeatable elements, into monotypes, using everyday materials.
My Monotype Blast workshop is an all-day weekend sampler for beginners. I’m not offering it this Spring. A lot of the prep work is done for you, you just print! It’s possible for some to get 6-8 small prints done, and it’s a great way to see if you like the process enough to pursue it. Fall session may be available, depending on School opening schedule.
Non Toxic Etching: I’ve taken a week long series of workshops in non toxic intaglio, as I describe here. These techniques provide all the effects of traditional etching techniques, but without using toxic inhalants, acids or grounds. My Modern Intaglio: Etching Workshop will be back when demand justifies. It’s on indefinite hiatus as we re-align and concentrate on new protocols.
Denver Public Library Workshops
The Library is re-opening, but I’m not sure I’ll return for this program anyway, as it involves a lot of travel, and I’ll be simplifying my schedule for the nonce.
Videos and Writings About Monotypes
I did make a video focussing on hand-rolled monotypes using Akua water-based inks, and that is available free, here. I converted this, along with my 5 years’ experience teaching hand rolling printing at libraries around the Front Range to an online program of 4 weekly sessions. We can’t do everything we can do in studio, on a press. But we can do a lot, and anyone who does have a press in their home studio is welcome to join, too.
The links for scheduled classes will activate upon opening so check back. Workshops are given in the large, airy print studio on the second floor of the school’s historic Richardsonian Romanesque home in West Washington Park. My multi-part monotype course, Monotype Starter, and its follow-up companion, Monotype Portfolio (note: adults are free to choose which materials, water based Akua or traditional oil-based inks they want to use in all my workshops).
For a fun, impressionistic overview of monotype technique, watch this short video I produced at Denver’s Open Press Studio.
Along with the hows of monotypes, we also discuss the whys. I treat monotype as its own medium, with its own advantages, as opposed to a way of executing in ink a drawing or painting. “Ghost” prints are prominently featured, as they provide a way forward to new discoveries which may “unblock” or push an idea in exciting ways. I review composition and color theory for those who may desire that, and we gather for friendly discussions that may provide valuable input. “Here is A Brief Essay on How and Why to Make Monotypes” Two newer posts in the series are “How and Why to Do Black and White in Monotypes” and “Color in Monotypes” I’m often adding new posts that expand on class discussion. If you have questions about the things covered, click “Contact Me”.
Art Students League Workshops: Register Online Here
You call call a real human registrar at 303.778.6990. Or try online registration. There is a new waiting list function, which I recommend, as there are often last minute cancellations.
With all workshops, the emphasis is on fun, safe social interaction and unlocking creative skills. Please check back often to get the latest on upcoming workshops, or if you have questions, contact me directly by clicking “Contact Me”. I look forward to seeing you in the print room!