Chine Colle Workshops

Folk and Jazz

Can’t believe how quickly the Monotype Workshop I’m teaching at the Art Students League of Denver is winding down! I also can’t believe the diversity of prints we continue to see there. Tuesday I did a quick demo on Chine Colle, a sort of collage technique where colored paper is glued onto the main ( usually white) paper during printing. 

Two different approaches are seen here. Barbara (top) laid down a criss-cross pattern featuring the colors of the Italian flag ( turns out she’s from my hometown of Buffalo, NY) under a lively, folk art style rendering of a tree. The Chine Colle element adds emotional depth to an already strong graphic.

Beth ( below), has favored experimental modernism since the class began, as in her studio work. Mondrian would have disapproved of her jazzy diagonals and intersections, but our class meets only 3 blocks from Broadway Ave, so he would easily see the “Boogie Woogie” element here. Well balanced color, with blue and black triangles providing a steady beat for the orange, red and acid green. 

I’m preparing a proposal for another, very similar workshop in the fall. I think we had a pretty good time, and I know of one participant, at least, who learned a lot ( the instructor). I’m also teaching a one-day workshop at the League Saturday, Aug. 7. You can register for either right here. 

Want a free sample? Got that, too. Tomorrow at my show at Open Press ( 40 W. Bayaud), I’m doing a demo and gallery talk that’s open to the public, with drinks served. That’s 2 PM. 

Was going to debut the long-awaited Squishtoid Manifesto there, but the monkeys working at my bank of used Remington Selectrics got a little grumbly when I brought that idea up. Then again, they’ve been working hard, and so have I. I might have to give us all the entire World Cup off. 

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