Author: Hggns

  • Waiting For the Sun

    We haven’t had a winter like this in quite a while. It’s postponed a lot of printing days, though some have fallen victim to the Month of Printmaking event I’m working on, too. Our guide for that just went to press. I’m going to put up a downloads section on this site and put a…

  • Living Large

      Large work has been a priority for me last Fall, and didn’t happen quite as much as I’d like, so I extended “printing season” into December.  I went down to Open Press ( a somewhat legendary print studio in Denver ) and started on 2 30×42” monotypes, one of which was completed, and will…

  • Flour Power

    People talk about architecture and often they refer to homes and offices. Industrial architecture is getting increased attention, though. This is especially true with waterfronts. Buffalo’s riverfront/lakefront areas are a good example. Where once heavy industry and commerce monopolized these areas, now urban planners and cultural custodians are moving in. There are complex issues to…

  • Cultured Pop

    Shorter, darker days. There’s actually time for reading, and the cat settles in for a lap snooze as I actually watch entire movies on DVD. I get my  exercise on trips to the Library, and I’m combing through the PBS listings. I read Malcolm Gladwell’s Blink, which is as thought provoking as you’d expect, and another book,…

  • Studio Doings

    I’ve been layering Mylar stencils for transparencies, spatial density and complex colors. I hope for rich interactions of negative and positive space, with new visual textures. But a real danger can be overworked, cramped images. Planning becomes an issue. Good, rich color often involves planning, with transparency and color designs interacting in fresh ways when planning works…

  • Mellow Yellow

    Color reappeared in my new work in a large way. I had put increased attention on color in my summer evening monotype class, because I realized that most people at that level of experience anyway, can use a little background in color theory. Most artists at that level don’t have an intellectual program for color. They…

  • Zip Do Done

    Some shots of my Zip 37 show with fellow Monotype artist Randy Hughes. It was a fun opening with quite a few visitors since then. I’ve been writing a post about color, as it has seemed to pop up in my work lately, but as always, it has bogged down a bit it the first…

  • Judgement Day

    I was recently asked to jury a show at Core New Art Space, a co-op gallery I used to be a member of in the 80’s. The show’s theme was “Horizontal Line”. Here are some thoughts from a Juror’s Statement I wrote for the entrants and show-goers. Jurying a show (my first time solo) is…

  • Street Wise

      I talked last time about organizational things that make the Art Students League Summer Art Market a favorite show of mine. Details like this make a show meaningful and worthwhile for both artist and public. But what makes it personal and fun- people. The SAM has retained, throughout its growth, the feel of a neighborhood block…

  • Street People

      Art shows of the street fair variety have become popular.They come in a wide range of styles and sizes, but what makes for a good one? Many new show are popping up along with the many that already have long histories. Organizers of art festivals typically charge $4-500 for a booth spot for the opportunity…

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