What I have worked on this winter is a small series of work intended to develop organically from sketchbook ideas on up through experiments in different sized paper and eventually to a large, significant, and fully realized work. Especially as I transition to new methods of working such as stencilling, etc, I’ve tended to have smaller works that experiment in formal ways, but don’t have a refined narrative. Here is a small sketch for a project I’d intended to call Bed Dream with Poppies. Most of these are not very good photos, but most are studies or unfinished experiments.
The best way to produce a relatively large set of meaningful work, Ive found is to explore variants of one idea of a few related ideas, and cherry pick the best ones as finished, exhibited work. I’m inviting you to view the sketches and trial runs, the not neccessarily ready for prime-time pieces that would sometimes be offered to the public, sometimes not. Yes, I do have large amounts of work that never see the light of day. Here is a larger variation on the theme, with poppies dispensed with and replaced by a sort of pod-like chine colle’ element and a somewhat organic dark field in the background. A somewhat distressed blackness creeps up behind the bed:
I’m already seeing more content, symbolic narrative, and meaning in the work. I intended to leave landscape (a narrative of earth and time) and try more interiors ( as it implies, a narrative of internal life, or the soul). Jumping to a new subject can often jog the creative machinery, and I hope to see fresh approaches. Here’s another experiment that adds in more pod-like or thought-balloon-like shapes above the bed.
Sometimes you have to execute a finished piece, and in this case, I had a deadline to meet for a show. So I tried a larger piece, with more color. I left the poppies out to further explore the pods, and instead placed some layered fauna where the darkness had been behind the headboard. I wanted something more abstract on the left, but added an Icarus-like figure to focus it. It still seems more like a study than a finished piece, and I’ll return to the studio this week after working a temp job to pay some bills. I’ll go back to the poppies, I’m sure, but I’ve also seen the Miro show at the DAM in the interim, I’m sure that will have its effect, too.