Studio Update

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It’s hard to pick up the thread in the studio after an absence. I’ve been making regular time there since January, but Fall and Summer were mostly a loss as I worked to pay off debt. Glad to be making progress on that, but producing work is the only way to increase sales, which pay debts, too.

I started with some chairs because they are simple enough visually to try new things, yet loaded with enough emotional connotation to make them interesting. I call them my “Place” series as I seek to establish my own place in the studio, and in the wider art world around it. I sometimes use chopped up mylar stencils from older work to create patterns and textures in newer work. It feels regenerative, and doesn’t stink as much as a mulch pile.

My next show will be the Art Students League Summer Art Market, June 11-12, some of these pictures will be available there.

Studio Update

"Dreaming Place" working title for this monotype in progress.
“Dreaming Place” working title for this monotype in progress.

 

I’ve been on the Organizing Committee for Month of Printmaking Colorado, a two months long festival of exhibitions, demonstrations, workshops and lectures about printmaking. It’s a Front Range-wide event that extends from Pueblo, Colorado to Casper, Wyoming. So needless to say, as it kicked off this week, it’s been eating my life.

I’ve really enjoyed it, though, and it’s great to see all my colleagues both long-time and unfamiliar, and to see the amazing amount of great printmaking being done in the Rocky Mountain High Plains. For more about it, and to watch a video interview about my own work from 2014’s MoPrint event, go to the web site. 

Amazingly, despite my MoPrint duties, I’ve been getting regular studio time this year so far. It’s never enough, naturally, and progress is somewhat slow, but I am trying new ideas, and some are almost ready to go to the photographer and framer. In the meantime, here is a snapshot from the studio to give you a taste of what I’m working on. I’ll have more soon.

Leave a comment if you like.

Everything’s a Work in Progress

What I have worked on this winter is a small series of work intended to develop organically from sketchbook ideas on up through experiments in different sized paper and eventually to a large, significant, and fully realized work. Especially as I transition to new methods of working such as stencilling, etc, I’ve tended to have smaller works that experiment in formal ways, but don’t have a refined narrative. Here is a small sketch for a project I’d intended to call Bed Dream with Poppies. Most of these are not very good photos, but most are studies or unfinished experiments.

"Bed Dream with Poppies", 7 1/2" x 10", a small monotype intended as a sketch for a larger project.
“Bed Dream with Poppies”, 7 1/2″ x 10″, a small monotype intended as a sketch for a larger project.

The best way to produce a relatively large set of meaningful work, Ive found is to explore variants of one idea of a few related ideas, and cherry pick the best ones as finished, exhibited work. I’m inviting you  to view the sketches and trial runs, the not neccessarily ready for prime-time pieces that would sometimes be offered to the public, sometimes not. Yes, I  do have large amounts of work that never see the light of day. Here is a larger variation on the theme, with poppies dispensed with and replaced by a sort of pod-like chine colle’ element and a somewhat organic dark field in the background. A somewhat distressed blackness creeps up behind the bed:

Untitled Monotype w/ Chine Colle'. 13x20".
Untitled Monotype w/ Chine Colle’. 13×20″.

I’m already seeing more content, symbolic narrative, and meaning in the work. I intended to leave landscape (a narrative of earth and time) and try more interiors ( as it implies, a narrative of internal life, or the soul). Jumping to a new subject can often jog the creative machinery, and I hope to see fresh approaches. Here’s another experiment that adds in more pod-like or thought-balloon-like shapes above the bed.

Untitled Monotype w/ Chine Colle', 13x20 "
Untitled Monotype w/ Chine Colle’, 13×20 “

Sometimes you have to execute a finished piece, and in this case, I had a deadline to meet for a show. So I tried a larger piece, with more color. I left the poppies out to further explore the pods, and instead placed some layered fauna where the darkness had been behind the headboard. I wanted something more abstract on the left, but added an Icarus-like figure to focus it. It still seems more like a study than a finished piece, and I’ll return to the studio this week after working a temp job to pay some bills. I’ll go back to the poppies, I’m sure, but I’ve also seen the Miro show at the DAM in the interim, I’m sure that will have its effect, too.

"Bed Dream 29", Monotype, 20x26".
“Bed Dream 29″, Monotype, 20×26”.