Christina recently took my Monotype Starter workshop. She explored transparency with secondary color, a simple arrangement of leaf forms in a slightly asymmetrical composition, and arrived at a very elegant result. She was inspired by a print by Mami Yamamoto (R), another former student, who has had quite a bit of success since.

I’ve tried to explore composition in my workshops. I’ve talked about the importance of color in prints, but it can actually be ignored, at least at first, as black and white prints are not unusual, and to some quite distinctive and attractive. But basic composition skills are hard to do without. I’m reading a book by Molly Bang called Picture This. It’s been around awhile, though this is the first I’ve encountered it. The 25th Anniversary edition’s cover blurb calls it “The Strunk and White of visual literacy.”

Never mind that Strunk and White has been often challenged as too rigid for some writers. I’m enjoying Picture This, which in some ways mirrors things I’ve emphasized in classes, and which in others mirrors only its author’s favored methods. I’m sure I’ll add parts of it to my own discussions. Her simple cut-paper illustrations seem tailor made for graphics, where much is accomplished with little in the way of detail. Her emphasis is on the emotional content of a composition, which I think beginners are often unaware of.

I’ve finalized all the fall workshops and it’s a busy autumn. I start with Monotype Portfolio, my newly renamed intermediate class, on September 11, and go to Schlessman Family Library for my first DPL drop-in workshop two days later. The session continues through mid-December.

I’ve got two Monotype Starter ( my intro class) sessions, a day version starting October 17, and a night session of the same material beginning Thursday, November 9. My all-day Saturday session, now named Mountain Dewishly, Monotype Blast, is November 11.

All are built around conversation and creative growth. All have spaces left, but some are filling fast. You can go online to register here.

Art Students League Workshops:

Monotype Portfolio: Intended for those who’ve had a previous printmaking class, or perhaps some art school experience, and who need to work out a series or new idea, or just a print room refresher. Next one starts Sept 11 and is filling rather quickly.

Monotype Starter: Intended as a step-by-step tutorial on the basics of printing and print room protocol. You will be certified to use the room independently upon completion. Two sessions, a Tuesday morning, 9-12:30, beginning October 9; and a Thursday evening, 6-9:30 that runs for 4 weeks bookended around Thanksgiving and is filling quite quickly), beginning November 9. It ends in time for the busy holidays.

My Monotype Blast workshop, November 11, 9-4 PM,  comes just in time for Denver Arts Week, as well as holiday giving: it’s possible for some to get 6-8 small prints done for use as creative stocking stuffers.

I also have a very affordable three-hour Moxie U sampler on November 2 that’ll help you decide if the whole squishin’-ink-onto-paper-with-a-press-thing is right for you; it’s light on technical procedures as I do most of that ahead, so you can just make monotypes. Register by Election Day.

Denver Public Library Workshops

Library workshops are drop-in style, kept very simple because I get a lot of kids-I encourage family participation, as the kids really do well when Mom or Dad is there. Again, this is a good sampler event, especially if you are curious about water-based inks, which we use. They are free and open to the public, so c’mon down and say hello.

 

A full schedule of the Fall dates is here, on my workshop page. They’ll continue in Winter/Spring 2018. I’ll post more info on these and other events, such as demos and talks, as soon as they get scheduled. Feel free to email, or comment here, if you have questions about any of them.

 

 

 

Monotype Workshops for Fall | 2017 | Art Students League, Monotypes, Workshops | Tags: , , , , | Comments (0)

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